Robben Ford Bio
Robben Ford is one of the premier electric guitarists today, particularly known for his blues playing as well as his ability to be comfortable in a variety of musical contexts. A five-time Grammy nominee, he has played with artists as diverse as Joni Mitchell, Jimmy Witherspoon, Miles Davis, George Harrison, Phil Lesh, Bonnie Raitt, Claus Ogerman, Michael McDonald, Bob Dylan, John Mayall, Greg Allman, John Scofield and many others. (See Discography)
Born in 1951 in Woodlake, California, and raised in Ukiah, Robben was the third of four sons in a musical family. His father Charles was a country and western singer and guitarist before entering the army and marrying Kathryn, who played piano and had a lovely singing voice. Robben's first chosen instrument was the saxophone, which he began to play at age ten and continued to play into his early twenties. He began to teach himself guitar at age thirteen upon hearing the two guitarists from The Paul Butterfield Blues Band, Michael Bloomfield and Elvin Bishop. In the late 1960's, Ford frequented the Fillmore and Winterland Auditoriums in San Francisco to see Jimi Hendrix, Eric Clapton, Cream, Led Zeppelin, Albert King, B.B. King and all of the progenitors of blues. “It was an incredible time for electric guitar,” Robben recalls.
On his interest in jazz, Robben says,” I fell in love with the sax-playing of Paul Desmond and The Dave Brubeck Quartet, and before long found Ornette Coleman, Archie Shepp, Yusef Lateef, Roland Kirk, John Coltrane, Wayne Shorter, and of course, Miles Davis.” These influences have stayed with Robben, playing a large part in his particular blend of jazz and blues that define him as a guitarist and allow him to play in a wide variety of settings.
After high school, Robben and his brothers Patrick (a blues drummer) and Mark (a blues harmonica player) formed The Charles Ford Band (named after their father), and recorded for the Arhoolie label. Robben (on sax and guitar) and Patrick went on to tour the U.S. with Chicago harmonica player Charlie Musselwhite, again recording for Arhoolie.
Robben's first attempt at forming his own jazz quartet was picked up by legendary blues singer Jimmy Witherspoon, which brought Robben to L.A. He toured the U.S. and Europe with Witherspoon and was seen by Tom Scott and members of The L.A. Express, who were about to begin a promotional tour with Joni Mitchell for her recording “Court and Spark.” Robben was invited to play guitar on the tour and played on two recordings with Mitchell and The L.A. Express. “The two years I spent with Joni were the most formative of my musical life. Joni was just brilliant and very accessible, and the members of The L.A. Express became good friends and teachers. It was great.”
Beatle George Harrison invited Robben to join him on his “Dark Horse” tour of the U.S. and Canada, raising his musical profile even further. Shortly after the two month stint with Harrison, Robben moved to Colorado to take a much-needed break from music and to study with Buddhist teacher Chogyam Trungpa. In 1977, he was approached by Elektra Records, which produced his first solo recording “The Inside Story” with a group of musicians who went on to become The Yellowjackets.
Elektra closed their doors in the early 1980's, leading to a time of uncertainty. Robben moved to San Francisco to be close to family and his early musical history. Soon his career would take another upward swing, recording and touring with Michael McDonald, securing a recording contract with Warner Brothers Records, and meeting his soon-to-be wife, actress Anne Kerry. After moving to New York with Anne, he was called to play with musical icon Miles Davis. “Producer Tommy LiPuma played Miles my work with the Yellowjackets, then three days later, Miles called me personally to join his band. Shocking!” Robben lamented having to leave Miles after only six months because of recording commitments with Warner Brothers, but was told by Miles that if he ever wanted to come back, “just come back.”
Robben's 1988 release for Warner Brothers, “Talk to Your Daughter” brought his first Grammy nomination (Best Contemporary Blues Recording) and he started touring the world under his own name. Still based in New York, he backed David Sandborn on the television show “Night Music,” in which Sandborn hosted a variety of musical acts. Robben toured with Sandborn in 1990, then moved back to southern California shortly thereafter to be closer to his own band.
After leaving Warner Brothers, Robben signed with Stretch/GRP records, where he finally found a real home for his creativity, recording three CDs for them with his band “The Blue Line” (Tom Brechtlein on drums and Roscoe Beck on bass). After a very fruitful eight years, Robben disbanded the group and recorded two more CDs for the label which had then become Stretch/Blue Thumb: “Tiger Walk” (an instrumental recording produced in New York with Keith Richard's rhythm section) and “Supernatural,” his most accomplished work up to that point as a songwriter.
In 2000 Robben was invited to tour with Phil Lesh and Friends on a co-bill with Bob Dylan, reuniting him with Billy Paine and Paul Barrere of Little Feat, as well as drummer John Molo. “This experience gave me new respect for Jerry Garcia as a musician and songwriter. The songs and musical context were pure pleasure--real guitar music!”
When his contract expired at Stretch/Blue Thumb, Robben signed with Concord Records, the largest independently-owned record company at the time. In 2002, he released “Blue Moon” and in 2003 “Keep on Runnin,” a recording full of the 60's blues/R&B feeling with which he grew up. His third release for Concord was entitled “Truth." “I feel this is the best work I have done in terms of a solo recording. It is my most realized work as a songwriter, and I feel like I am reaching higher ground as a guitarist. “Truth” represents the blues as they are today; some of the songs are sociopolitical in essence, but not without humor, and the musical setting is fresh.”
In 2007 Robben toured with the legendary guitarist, Larry Carlton, resulting in “Live in Tokyo” and an “unplugged” DVD, “The Paris Concert 2008.”
Robben’s fourth release for Concord, Soul on Ten” is a “live” recording performed in San Francisco (2009). “People had been requesting a live recording for years and I had the right band, music, and venue to pull it off.” The CD also includes two studio tracks which feature Larry Goldings on B3 organ and John Button on bass.
In 2010, Robben and a group of musical friends who have played in different combinations and contexts over the years decided to focus on a project together recording for Mike Varney’s Shrapnel label. The result was the formation of “Renegade Creation” with a self-named album. This is a rock band, Robben’s first, and the results have people talking: “Dare I say everyone who hears it, loves it!” says Robben. The other members are guitarist Mike Landau, bassist Jimmy Haslip and drummer Gary Novak.
After much critical acclaim for “Renegade Creation” RC returned to the studio and produced “Bullet” which was released in June, 2012. In the past year Robben has also played internationally with the Miles Davis tribute band, “Mile Smiles,” featuring past Miles’ alums, Omar Hakim, Darryl Jones, Wallace Roney and Joey DeFrancesca, as well as touring with Bill Evans and Randy Brecker’s group, Soulbop.
Provogue Records/Mascot Label Group released Bringing It Back Home in Febrauary 2013 to much critical acclaim both in the U.S., Europe and Japan. Bringing It Back Home revisits and reshapes the roots of Ford’s first musical love. There are 2 original songs and 8 songs from a broad spectrum of rhythm and blues styles from early Delta pioneer Charley Patton’s “Bird’s Nest Bound” to Bob Dylan’s “You Go Your Way and I Go Mine,” and, along with a hand-picked team of A-list players, he crafted dynamic, new and highly original arrangements for each song in the studio.Robben also collaborates with his wife Anne on various musical projects including her CD “Weill" which Robben produced on their own Illyria label.
TOURING BAND OCTOBER 2013
BRIAN ALLEN, bass
Hailing from Columbus, Indiana, Brian started playing the bass at age eleven. His playing won him several awards throughout high school, including the prestigious Louis Armstrong Jazz award. After graduating, he moved to Los Angeles to attend the Musicians Institute. There he received his Bachelor's Degree in Music and also won the outstanding student of the year.
Since graduating, Brian has performed a diverse range of live shows as well as recording sessions. His playing spans the musical spectrum from jazz to rock and everything in between. Brian plays all types of basses, from a standard four string to a six string fretted and fretless. He also plays upright bass and cello.
RICKY PETERSON, keyboards
A life long Minnesotan whose sound has always focused on a characteristically “Minneapolis” sound, Ricky Peterson is best known for his now 20 year association with saxophone legend David Sanborn and for having, produced, written and played keyboards for Prince on and off since his early days on the Twin Cities scene (perhaps most notably producing and arranging the song “The Most Beautiful Girl in the World”). Playing on David Sanborn records since the mid 80’s, he ensembled with and produced Sanborn on “Songs from the Night Before” and Prince on “Gold”, “Emancipation”, “Crystal Ball”. Peterson also played a big part in writing and producing George Benson’s “That’s Right” CD.
This is just the icing on a career whose associations (either live or in the studio) read like a diverse pop and jazz trivia encyclopedia: Stevie Nicks, Bonnie Raitt, Billy Joel, Anita Baker, James Taylor, Mavis Staples, Joe Sample, Sting, Sergio Mendes, Brian Wilson, Ben Sidran, Rodger Waters, Rick Braun, Kirk Whalum, Phil Upchurch, Jimmy Buffet, Fine Young Cannibals, Steve Miller Band, GoGos, Paula Abdul, Boz Scaggs, Dave Koz, Lalah Hathaway, Sheryl Crow, Jonathon Butler, Bruce Willis, The Jets, Jermaine Jackson, Rhythm Syndicate, Chaka Khan, Robben Ford, Howard Hewett, Larry Graham, Tuck & Patti and John Mayer.
WES LITTLE, drums
On a momentous night during the Winter of 2009, drummer Wes Little proved beyond all doubt that he's the nimble, adaptable, professional musician he wanted to be even prior to leaving his little Southern home town. The event: the inaugural ball for newly chosen President Barack Obama. The job: to back a jaw-dropping lineup of legendary talent, including Sting, Stevie Wonder, Faith Hill, Mary J. Blige, and Beyonce. Through a wild variety of temperaments, arrangements, and styles, Wes Little held down the groove, pleased the most challenging stars and made the whole event bolder, smoother and better.
Star-studded as it was, the inaugural ball was not by any means the first validation of Little's multi-faceted musicianship. For a decade in New York and in recent years in Nashville, Little has been calmly taking his place as one of the elite session drummers, supporting major artists in rock, jazz, hip-hop and country.